Mail art by Michael Kelly (aka DSF) (Massachusetts, USA)
As we enter 2020, four "kults" are active in the Eternal Network, which I believe is a record. The kults I am documenting in this installment of Glam Faction are DKult, Cat Army, Dog Army and DSFCult. (If you know of others, I would be pleased to add them.)
Not surprisingly, leaders of our newest kults are also creators of fabulous contemporary postal persona: Veteran mail artist Chris Mudhead Reynolds (Arizona, USA) is founder of Cat Army. He has accordingly changed his name to Cathead.
DSFCult (#dsfcult) was officially established in 2019 by mail artist Michael Kelly (Massachusetts, USA). DSFCult, in a Jim Jonestownian nod, is built around the carefully crafted and ultimately deeply complex persona of Dopesick San Francisco (DSF) who serves as Kelly's alter-ego. At MinXus-Lynxus I named Michael Kelly several times as one of the top-ten most interesting and innovative mail artists active today. I also have noted DSF has a deeply affirming message if you dig beneath the Punk aesthetic-nihilist surface.
Dog Army is less clearly defined than the others and seems to be the result of mail artist dog lovers responding feline-centered Cat Army and Michael Kelly's longtime artistic obsession with dogs, especially German Shepherds.
Mail art by Dopesick San Francisco (aka DSF aka Michael Kelly)
While precise origins are misty and occasionally contested, DKult - a mail art cult now in decline if not total collapse - has a long history having begun in 2010 in conjunction with the immediate popularity of Trashpo (a kind of visual poetry) when it was introduced at IUOMA-Ning. Trashpo had been created and conceptualized several years earlier by Jim Leftwich (Virginia, USA) with Trashpo prototypes posted on the Fluxlist blog.
Since I had a role in the founding of DKult and documented much of the early material, I can confirm Diane Keys (Illinois, USA) in no way initiated the establishment of a cult in her honor. Nor is Diane Keys the creator of an elaborate persona; her mail art identity is based on authenticity, which had considerable appeal.
Her art, enthusiasm and probably her skill as a comedy writer put her in the position of becoming leader of the most successful mail art cult of the last decade; in tandem Trashpo was a dominant genre. Over the course of the decade, DKult has had hundreds of members who produced hundreds, likely thousands, of individual Trashpo compositions. DKult is the prototype for DSFCult, Cat Army & Dog Army.
Mail art by Dopesick San Francisco (aka DSF aka Michael Kelly)
Mail art by Cathead Reynolds (Arizona, USA)
Mail art by Cathead Reynolds (Arizona, USA)
DKult stamp using appropriated Ray Johnson stamp. Artist unknown. The "DKult is the Shit" slogan was likely created by Moan Lisa (Iowa, USA) (Circa 2013)
Fake religions and small groups centered around specific personalities go back decades in the network. Ray Johnson's mail art clubs were cultish. For instance, members of the Spam Radio Club had meetings to discuss and worship a promotional radio someone had obtained from the Spam processed meat company. The Spam Radio was eventually stolen, which sent shockwaves through the network.
Something akin to a cult rose up around Ray Johnson himself, complete with a resurrection myth after his suicide in 1995. Johnson's correspondents have create colorful persona, some still active today - I think of Anna Banana, Richard C, Irene Dogmatic and Picasso Gaglione. These artists have developed their own fans and followers.
Mail art itself encourages the creation of a persona. In the 1970s, Guglielmo Achille Cavellini (Italy) nudged mail art even closer to a cult of personalities with the successful promotion of his own gigantic ego. Cavellini also brought postal art into the explorations of self and the construction of self via image and text taking place in ascending postmodernism. Fact and fiction were mingled in Cavellini's autobiographical statements.
While many mail artists are humble and - if anything - seek to minimize the self in subordination to the greater collective, we have colorful characters with whom we enjoy interactions in the mail and online today. These include Discoflux, Mail Art Martha, Not Hi Ng, Stripygoose and many others.
In the last days of 2019, the internet seems to have expanded the reach and power of mail art. Cat Army, Dog Army and DSF Cult have online headquarters on Facebook. For years, Trashpoets and DKulters met online at IUOMA-Ning. Mail art seems destined to endure as a synthesis of paper and digital paths.
In the past, I have referred to the success of the Church of the SubGenius (and its imaginary leader "Bob" Dobbs) as a key prototype of the mail art cult. The Church of the SubGenius ascended to pop-cult status via the underground mail art and zine network of the 1980s. The Church of the SubGenius is often associated with Neoism, a Fluxus-like, postmodern-like avant movement that also rose out of the network. Other cult-like groups and individuals claiming prophetic gifts (such as Reverend Malok (Wisconsin, USA), Blessed Father (California, USA) have been active in the network. This area is worthy of further exploration and chronicling.
A few conclusions can be drawn: For the most part, mail art cults are religious satire and absurdist humor. Ray Johnson's clubs are best understood in the context of the Neo-DaDa practices of his era that also led to Fluxus. (George Maciunas dabbled with religion in the epic Flux Mass performance at Rutgers University.) The Church of the SubGenius was satire (at least in the beginning).
However, the youth culture of Post World War II era, the hunger for spirituality and meaning and the desire to belong gave cults and characters a different significance to some in the growing underground network. The network's support and shared quest for alternative systems has always appealed to "outsiders."
Furthermore - to be honest - the network has attracted deranged and drug-addled individuals at certain historical points. Some individuals came to believe on some level in the magical powers of the Spam Radio and the divinity of "Bob" Dobbs. For the most part people engage in the cults as a shared exercise in imagination (producing art and narrative) and to form more intimate relationships in a larger system.
Spiritual rants that circulated widely especially in the 1970s and 80s often seem to have been written by individuals who genuinely believed they had clairvoyant and/or visionary powers. Hannah Wiener (New York City) is an example of a mail art ranter who is now an important literary figure.
One should always consider carefully before founding a cult.
In the last days of 2019, the internet seems to have expanded the reach and power of mail art. Cat Army, Dog Army and DSF Cult have online headquarters on Facebook. For years, Trashpoets and DKulters met online at IUOMA-Ning. Mail art seems destined to endure as a synthesis of paper and digital paths.
In the past, I have referred to the success of the Church of the SubGenius (and its imaginary leader "Bob" Dobbs) as a key prototype of the mail art cult. The Church of the SubGenius ascended to pop-cult status via the underground mail art and zine network of the 1980s. The Church of the SubGenius is often associated with Neoism, a Fluxus-like, postmodern-like avant movement that also rose out of the network. Other cult-like groups and individuals claiming prophetic gifts (such as Reverend Malok (Wisconsin, USA), Blessed Father (California, USA) have been active in the network. This area is worthy of further exploration and chronicling.
A few conclusions can be drawn: For the most part, mail art cults are religious satire and absurdist humor. Ray Johnson's clubs are best understood in the context of the Neo-DaDa practices of his era that also led to Fluxus. (George Maciunas dabbled with religion in the epic Flux Mass performance at Rutgers University.) The Church of the SubGenius was satire (at least in the beginning).
However, the youth culture of Post World War II era, the hunger for spirituality and meaning and the desire to belong gave cults and characters a different significance to some in the growing underground network. The network's support and shared quest for alternative systems has always appealed to "outsiders."
Furthermore - to be honest - the network has attracted deranged and drug-addled individuals at certain historical points. Some individuals came to believe on some level in the magical powers of the Spam Radio and the divinity of "Bob" Dobbs. For the most part people engage in the cults as a shared exercise in imagination (producing art and narrative) and to form more intimate relationships in a larger system.
Spiritual rants that circulated widely especially in the 1970s and 80s often seem to have been written by individuals who genuinely believed they had clairvoyant and/or visionary powers. Hannah Wiener (New York City) is an example of a mail art ranter who is now an important literary figure.
One should always consider carefully before founding a cult.
Dkult designer matchbook by Diane Keys (Illinois, USA) (Circa 2016)
Personality Modulation Machine (PPM) survey used to assess DKult members.
(Note similarity to Scientology tools) (Circa 2012)
Response to PPM by Stephanie Blake (Alabama, USA)
Response to PPM by Stephanie Blake (Alabama, USA)
PPM response by Vizma Brun (Australia)
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